Growing from literary rejection: Interview with writer and marketer Grace Flahive

A case study from the front lines of fiction publishing: novelist/marketer Grace Flahive talks about the dos and don’ts of pursuing publication, working with an agent, hooking editors, and learning from rejection. Watch the video above or read the transcript on Medium.

How “The Road” hooks readers: Rooting for the underdog

How author Cormac McCarthy creates vulnerable characters that engage our emotions in his Pulitzer Prize–winning novel The Road. Also, how the literary theories of Greek philosopher Aristotle still apply today, and what the modern anti-hero gets right and wrong. Watch the video above and read the transcript on Medium.

How “Cloud Atlas” hooks readers: Delivering the Unexpected

How author David Mitchell uses unexpected structure and unexpected language to hook readers in his novel Cloud Atlas. Plus, how the psychological concept of flow applies to great writing. Watch the video above and read the transcript (with extras) on Medium.

Learning from “Coraline” by Neil Gaiman: Building a world

Great writers build spaces for compelling stories and settings that capture our imagination. Here’s how author Neil Gaiman hooks readers using exploration and discovery of a setting in Chapter 1 of his novel Coraline. Watch the video above and read the transcript on Medium.

How Susanna Clarke starts “Jonathan Strange & Mr Norrell”: Big questions

How author Susanna Clarke asks the right questions to hook readers and drive the story in the opening chapter of her fantasy novel Jonathan Strange & Mr Norrell. Also, how the philosophy of Romanticism comes alive in the story and setting, and what writers can learn from kids cartoons. Watch the video above and read the transcript on Medium.

How Yann Martel starts “Life of Pi”: The power of first-person storytelling

In Life of Pi, Yann Martel searches for the “spark that brings to life a real story.” Life of Pi itself uses first-person storytelling to light that spark. Let’s see how Yann Martel uses the power of first person in the opening chapters to hook the reader, and why the novel starts before the first page. Watch the video above and read the transcript on Medium.

How J. K. Rowling starts “The Philosopher’s Stone”: Voice vs Exposition

How J. K. Rowling’s first three chapters of Harry Potter and the Philosopher’s Stone hooked her readers, agents, and editors, using voice, mystery, and nostalgia. Watch the video above and read the transcript on Medium.